At the center of The Lizard's Tale is Antonio Muñoz-Roa, a prominent painter whose circumstances bear a striking resemblance to Donoso's own when he wrote the novel. Hiding in his Barcelona apartment, obsessed with the ruins of his past, Muñoz-Roa relates the story of his flight to the small town of Dors with Luisa, his cousin, lover, and benefactor, after his scandalous defection from the 'Informalist' movement (an ironic reference to a contemporary Catalan art movement and possibly also a veiled allusion to the boom).