Petra Leyva has begun to write a novel about the Sanctuary Movement when she hears that her widowed, womanizing father has set fire to his house in a drunken rage. Overwhelmed by family memories, Petra begins a journey of introspection that leads her to explore what "sanctuary" really means to present-day Chicanas. Petra learns there are various types of sanctuaries - not only those aiding Central America refugees but also less obvious safe havens for the weak, the ill, the elderly, the poor. Universities are sanctuaries to which the young can flee in search of a better life. There are psychological sanctuaries where victims of sexual abuse or other forms of injustice can find relief from their private anguish. And as Petra discovers, writing itself is a form of sanctuary. By depicting the strength of Petra and other Chicanas, Margarita Cota-Cardenas addresses the complexities of life in an important period of time for the development of Chicana/o consciousness. As her characters grapple with issues of family, abuse, and loss, they combine the traits of saints and devils, heroes and villains to show that the representation of life is as complex as life itself.

With an introduction by Tey Diana || Rebolledo.